My works originate from paper peeled off of advertising columns; they retain their concave form. The material thickness varies between one and ten centimeters. Sculpturally worked on both sides, they feature specific, nonreproducible views, are picture and sculpture: specific objects.
I sometimes retain entire motifs. The randomness of composition during the process of décollage corresponds with the randomness of gluing when putting up posters.
I do not give titles to my works, because for me it is a matter of the constructions and pareidolias in the eye of the viewer.